Bibliography
Poetry
2022 Libro Venado. Buenos Aires, Argentina: Radius Books Sudor de Futuro. Viña del Mar, Chile: Altazor Ediciones
2020 Cruz del Sur. Lumen Chile: Penguin/Random House.
2019 Slow Down Fast, A Toda Raja. Berlin: Errant Bodies Press.
2018 AMAzone palabrarmas, 1977-1978. Translated by James O’Hern. Chicago: The University of Chicago Press. Cecilia Vicuña: New and Selected Poems. Edited by Rosa Alcalá. Berkeley: Kelsey Street Press.
2017 Read Thread: The Story of the Red Thread. Berlin: Sternberg Press. About to Happen. New York: Siglio Press. PALAVRARmais. translated to Portuguese by Ricardo Corona, Curitiba, Brasil: Medusa Editions.
2015 Kuntur Ko. Santiago, Chile: Hueso Records.
2013 El Zen Surado. Santiago: Editorial Catalonia.
2012 Chanccani Quipu. New York, NY: Granary Books. Spit Temple. Brooklyn, NY: Ugly Duckling Press.
2011 Soy Yos: Antología, 1966-2006. Santiago, Chile: Lom Ediciones. Saborami. Philadelphia, PA: ChainLinks.
2009 V. Lima, Peru: tRope.
2007 Sabor A Mí. Santiago, Chile: Ediciones Universidad Diego Portales.
2005 Palabrarmas. Santiago, Chile: RIL Editores.
2004 i tu. Buenos Aires, Argentina. Tsé-Tsé.
2002 Instan. Berkeley, CA: Kelsey St. Press.
2001 El Templo. New York, NY: Situations.
1999 cloud-net. New York, NY: Art in General.
1997 The Precarious: The Art & Poetry of Cecilia Vicuña / QUIPOem. Middletown, CT: Wesleyan University Press.
1996 Word & Thread. Edinburgh, Scotland: Morning Star Publications.
1994 PALABRARmas/ WURWAPPINschaw. Edinburgh, Scotland: Morning Star Publications. La realidad es una línea. Kortrijk, Belgium: Kanaal Art Foundation.
1992 Unravelling Words & the Weaving of Water. Minneapolis, MN: Graywolf Press.
1990 La Wik’uña. Santiago, Chile: Francisco Zegers Editor.
1986 Samara. Valle del Cauca, Colombia: Ediciones Embalaje del Museo Rayo.
1984 PALABRARmas. Buenos Aires, Argentina: Ediciones El Imaginero.
1983 Precario/Precarious. New York, NY: Tanam Press. Luxumei o El Traspié de la Doctrina. Mexico City, Mexico: Los Libros del Fakir #33, Editorial Oasis.
1979 Siete Poemas. Bogotá, Colombia: Ediciones Centro Colombo Americano.
1973 Saborami. Cullompton, United Kingdom: Beau Geste Press.
Edited Volumes
2009 The Oxford Book of Latin American Poetry. New York, NY: Oxford University Press.
1988 Martin Adan, The Cardboard House. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature). Rosario Castellanos, The Selected Poems of Rosario Castellanos. Minneapolis, MN: Graywolf Press. Adolfo Bioy Casares, A Plan for Escape. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature). Vicente Huidobro, Altazor. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature). Ül: Four Mapuche Poets. Pittsburgh, PA: Latin American Review Press.
Selected Interviews
“The Vicuña and the Leopard: Chilean Artist Cecilia Vicuña Talks to Lucy Lippard.” By Lucy Lippard. Red Bass / Women’s International Arts Issue 10 (1986) 16-18
“What Art May Be.” By Craigie Horsfield. Chain 9 (2002): 112-24.
“The Memory of the Fingers.” By David Levi Strauss, in cloud-net. New York, NY: Art in General, 199
“Metaphor Spun: A Conversation with Cecilia Vicuña.” By Billie Jean Isbell and Regina Harrison, in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 47-58.
“Seeing and Gathering.” By Susan Briante. Last modified May 20, 2004, last accessed June 30, 2012. Texas Observer. http://www.texasobserver.org/archives/item/14264-1660-seeing-and-gathering-
Selected Criticism
Barnitz, Jacqueline. Twentieth-Century Art of Latin America, University of Texas Press (2001).
Bianchi, Soledad. “Pasaron desde aquel ayer ya tantos años, o acerca de Cecilia Vicuña y la Tribu No.” Hispamerica: Revista de Literatura 17 (1988): 87-94.
Brown, Julie Phillips. “‘touch in transit’: Manifestation/Manifestación in Cecilia Vicuña's cloud-net.” Contemporary Women's Writing 5, no. (2011): 208-31.
Lippard Lucy. “Spinning the Common Thread,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 7-15.
Lynd, Juliet. “Precarious Resistance: Weaving Opposition in the Poetry of Cecilia Vicuña.” PMLA 120.5 (2005): 1588-1607.
Méndez-Ramírez, Hugo. “Cryptic Weaving,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 59-71.
Nómez, N. “La poesía chilena: Representaciones de Terror y Fragmentación del Sujeto en los Primeros Años de Dictadura.” Acta Literaria 36 (2008): 87-101.
Osman, Jena. “Is Poetry the News?: The Poethics of the Found Text.” Jacket 32 (2007).
Sepúlveda, Magda. “Cecilia Vicuña: La Subjetividad Poética como una Operación Contracanónica.” Revista Chilena de Literatura 57 (2000): 111-26.
Sherwood, Kenneth. “Elaborate Versionings: Characteristics of Emergent Performance in Three Print/Oral/Aural Poets.” Oral Tradition 21 (2006): 119-47.
—. “Sound Written and Sound Breathing: Versions of Palpable Poetics,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 73-93.
Toledo, Eugenia. “Tejer y Destejer en Cecilia Vicuña.” ALPHA: Revista de Artes, Letras y Filosofia 11 (1995): 51-62.
Ugalde, Sharon Keefe. “Hilos y Palabras: Diseños de una Ginotradición (Rosario Castellanos, Pat Mora y Cecilia Vicuña).” Salina: Revista de Lletres 16 (2002): 219-26.
Weinberger, Eliot. “Basuritas / Little Litter.” Poliester 3 (1992).
Witzling, Mara R. “Cecilia Vicuña,” in Voicing Today’s Visions: Writings by Contemporary Women Artists. New York, NY: Universe Publishing, 1994.
de Zegher M. Catherine. “Ouvrage: Knot a Not, Notes as Knots,” in de Zegher, M. Catherine (ed.) The Precarious: The Art and Poetry of Cecilia Vicuña. Hanover, NH: Wesleyan UP, 1997. 17-46.